Title: The Eagle: Shadow of Death
"You call me Mrityu like it is a threat, but Mrityu is the only truth you have ever known."
Story Description:
In the silent corridors of espionage and power, she is a name whispered in fear—Mrityu.
Known only to a few as Chhayika Mishra, she walks the fine line between protector and destroyer, truth and shadow.
Trained by the best. Feared by the worst.
She doesn't just follow orders—she writes her own.
The Eagle follows the rise of a brilliant woman born into privilege but shaped by pain, precision, and an unshakable sense of duty. As she ascends through the ranks of India's covert intelligence, her presence becomes a weapon, and her silence—a warning.
When politics turns personal and enemies blur into allies, even Death herself must choose a side.
This story isn't just about spies and secrets.
It's about power, purpose—and the cost of becoming a legend.
In this tale, romance speaks through silence, eyes, betrayal, stare and loyalty. Not through bedsheets.
Content Warnings:
This story may contain mature or triggering themes, including:
Emotional and psychological intensity
References to violence, espionage, and war
Power dynamics, political manipulation, and trauma
Reader discretion is advised.
Copyright Notice:
© 2025 Kshyatri. All rights reserved.
This work is protected under international copyright laws (including the Berne Convention and Indian Copyright Act, 1957). No part of this content—text, characters, dialogue, or plot—may be copied, distributed, translated, stored, or adapted in any form without explicit written permission from the author.
Plagiarism, theft, or unauthorized use is a direct violation of copyright law and will be met with legal action.
All platforms are monitored. Every copy leaves a trace.
This is your warning. Stealing words is stealing a life lived to write them.
This is a work of fiction. Names, characters, places, organizations, and incidents are either the product of the author's imagination or used fictitiously. Any resemblance to actual events or persons, living or dead, is purely coincidental.